Customer Reviews:
 Keep the digitalis at the ready and your seatbelt buckled January 27, 2010
GraphicNovelReporter.com (New York, NY)
4 out of 4 found this review helpful
Marvel Books is the early days of a gutsy but respectful adaptation of The Stand by Stephen King. The story, as visualized through the narrative of Roberto Aguirre-Sacasa, the art of Mike Perkins, and the colors of Laura Martin, is being published in five-issue arcs, which are then collected in hardbound form with creator commentary, sketches, copies of alternative covers, and the other usual amenities. The first arc, The Stand: Captain Trips, has already been given the hardcover treatment. The second, titled The Stand: American Nightmares, continues in the spirit, energy, and most important, the quality of its predecessor.
American Nightmares begins a heartbeat after Captain Trips, leaves off, with the Captain Trips designer plague advancing exponentially throughout the American population and leaving bodies all over the place in it grisly wake. It is grimly effective, killing some 99 percent and change of the population, with the rounding error consisting of folks who survive and who are gradually and unknowingly gravitating toward each other from all corners of the country. One of the original novel's most compelling vignettes occurs in American Nightmares wherein Larry Underwood, an immune whose first and only hit record began its rise up the charts even as Captain Trips began moving through the population, makes a terrifying journey on foot through the Lincoln Tunnel. Congested with automobiles both deserted and unfortunately occupied, jammed with the bodies of the plague victims, the Lincoln Tunnel in the hands of the creative team here becomes not only a dark model of a carnival funhouse but also a claustrophobic microcosm of the country at large. Anyone who has been through the Lincoln Tunnel after reading The Stand cannot help but think of the book, and the atmosphere --- dark, close, and above all, deadly --- permeates the pages of American Nightmares from beginning to end. Meanwhile, a pregnant Frannie Goldsmith, accompanied by an apparently immune teenaged boy named Harold Lauder, begin an arduous journey to Stovington, Vermont, which houses --- housed --- a communicable disease center. Lauder, a high school nerd who means well but who has the social graces of fly larvae, is full of hormones and unrequited lust for Frannie, who, for her part, keeps Lauder at a friendly arm's distance, planning on using him as a midwife when her baby comes to turn. Sparks of all sorts fly when the two of them encounter Stuart Redman in New Hampshire. Newly escaped from the very communicable disease center which the pair had been traveling toward, an initially resentful and reluctantly cooperative Lauder agrees to let Redman join up with them, even as Redman's slowly growing attraction towards Frannie begins to blossom. Meanwhile, one other who is immune is a dangerous loner named Donald Merwin Elbert, also known as The Trashcan Man. A pyromaniac hounded practically from the moment he crawled out of the womb, the wake of Captain Trips leaves Trashcan Man gleefully unsupervised, and able to vent his wrath against his tormentor --- the world at large --- unchecked. All the while, the man known as Flagg haunts the sleep of the remaining few left alive, becoming a vague presence on the periphery of their conscience, even as he acquires a most likely and perfect ally amongst the small handful of survivors. He is balanced, however, by the enigmatic Mother Abagail, who is doing some reaching out of her own in the dreamworld, as alliances are slowly formed and battle lines are sketched, if not fully drawn.
As Flagg promises at one point in The Stand: American Nightmares, things are about to start moving very, very fast. Keep the digitalis at the ready and your seatbelt buckled. As good as this series has been to date, it is almost certain to surpass itself in the next several months, considering the quality of the material being adapted and the creative team at the helm. Strongly recommended.
-- Joe Hartlaub
"THIS IS HOW THE WORLD ENDS..." March 5, 2010
C. Bitondo (California)
The Stand is an outstanding graphic novel adaptation of Stephen King's "The Stand" (Complete & Uncut Version). If you are a fan of either book (the original 1985 version is shorter and I have a special attachment to it, having read it in my youth) or even the television mini-series, this is for you. If you love apocalyptic fiction, good versus evil and end of the world scenarios, this is also for you. I was hooked from page 1 and the illustrations are top-notch. I don't buy the indivdual issues, but wait for the collector's volumes. Volume 2 "Americn Nightmares" continues where Volume 1 left off and is an equally great product that is worth every penny. I will be buying every volume as they are released to the end.
--"Baby Can you Dig Your Man?"
Awesome Graphics!! March 18, 2010
K. Goldman (Chattanooga, TN)
This is an awesome adaptation! I wasn't sure I'd care for this format as I've had little experience with it, but I thought I'd give it a shot. I'm so glad I did. If you love the novel "The Stand" you gotta see this!
 Significant scenes brought to life January 23, 2010
Derrick O'Rourke (Dublin, Ireland)
I had mixed feelings about this adaptation. The scenes in the Lincoln Tunnel and Stu's face off with Elder were really well done. Trashcan Man's story was nicely done and am looking forward to seeing more of him.
The strange thing I found about this book was the pacing. It's fairly quick and is moving the story along at a good pace. I thought the original The Stand was too slow & not going anywhere too often. This is a lot more fast paced but I miss the level of detail in the book. It's just a strange feeling. I wanted the book to be quicker but when it is in this format I sort of miss the detail.
Overall, any fan of The Stand should give this a read & make up their own mind. It's always interesting to see characters that you have read brought to life in the form of illustrations and see if this is what you imagined.
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